Archive for the ‘Music Industry News’ Category

WMC 2010 DJ Spin-Off!

Thursday, January 21st, 2010

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WMC 2010 DJ Spin-Off

The WMC 2010 DJ Spin-Off will be held on Tuesday, March 23rd, 2010 (Beat Matching) and Wednesday, March 24th, 2010 (Scratching) at The Eden Roc Beach Resort & Spa Ocean Garden Poolside with celebrity hosts and judges and DJs from all over the world mixing and scratching their way to the top. Because of the exponential growth and success of the WMC DJ Spin-Off, we had to split the competition into two days!!! Celebrity judges will decide who has what it takes to own first place. If you are a DJ who thinks you can put up some weight, a label head scouting new talent, or a fan of DJ competitions, join us for the WMC DJ Spin-Off where you can truly witness the Art of the DJ.

Prizes to be provided by leading audio and apparel manufacturers.

ENTRY DEADLINE: Friday, February 26, 2010

DOWNLOAD THE WMC 2010 DJ SPIN-OFF APPLICATION FORM

Guidelines for entry:

• All entries must include a completed application, entry fee ($25.00),
bio, and demo (CD or Tape format).

• DJs may enter both Beat Mixing + Scratching competitions.

• Demo’s must be no longer than 5 minutes in length and must be
reflective of the DJs prospective performance.

• Submissions are subject to approval.

• Demo material submitted will become the property of WMC
and will not be returned.

• No submissions will be reviewed after the deadline.
No last minute entries or substitutes are allowed.

• All judges’ decisions are final.

• DJs must bring their own headphones to the competition.

Send to:

Winter Music Conference
3450 NE 12th Terrace,
Fort Lauderdale , FL 33334
ATTN: DJ Spin-Off
For any additional inquiries email: info@wintermusicconference.com

Now your band can be in “Rock Band”

Wednesday, January 20th, 2010

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MTV Games is hoping to goose sales of its flagging “Rock Band” series with a new service Tuesday that lets average users upload and sell videogame versions of their own music.

The service, known as the Rock Band Network Store, may offer a few minutes of fame to rudimentary garage bands by allowing millions of game players to access their music.

But given the technical know-how needed to format a song for the game—which may require users to hire a pricey third-party developer—the service could wind up serving mostly as a promotional platform for established acts with deeper pockets, rather than the typical shower singer.

“Rock Band” and its rival, “Guitar Hero,” are two of the most successful videogame franchises to debut in recent years. But sales of both titles have slowed significantly in the past year, with combined sales in 2009 of $224 million, according to an estimate from Wedbush Morgan Securities—less than 50% their level in 2008.

Until now, most of the music available for play on either game has consisted of a limited number of songs, mostly by major acts like Nirvana, the Red Hot Chili Peppers and the Beatles.

With the new service, unknown bands are seeing their chance to get in on the act. But popular groups not quite big enough to make the “Rock Band” playlist are also preparing material for the do-it-yourself upload store, including Creed and Evanescence, each of which has sold tens of millions of albums in the past decade.

“We expected this to be an initiative that would appeal to unsigned artists,” says Paul DeGooyer, MTV’s senior vice president for electronic games and music. “What was surprising to us was how many artists with hit records have offered themselves up.”

The Rock Band network has been running in a private, invitation-only testing mode since September. For now, it is to be available only to users of the Xbox 360, made by MicrosoftCorp., which was also MTV Games’ partner in building the Rock Band Network. MTV is part ofViacom Inc. The network eventually is to be made accessible to users of other game systems, like Sony Corp.’s PlayStation 3.

Preparing a song is complicated, and involves preparing an array of specialized digital sound files, lyrics, transcriptions and even instructions for virtual camera angles, lighting and choreography for the animated characters that perform the music within the game itself.

It has already spawned a cottage industry of companies offering to format recordings, for fees that can get steep. These contractors, with names like Rhythm Authors LLC and RockGamer Studios, typically charge $500 per minute of music.

Other costs involved in creating a song include the purchase of an Xbox 360 console, “Rock Band” game discs and instruments, as well as a subscription to an online Microsoft game-development “community” that costs about $99 a year.

Rock Band Network lets users set prices anywhere from 99 cents to $2.99 a song. The company retains 70% of the sale price, with the rest going to the user. Given the figures, musicians must be fairly confident they’ll sell real numbers of songs to justify their investment.

Sub Pop, a prominent independent record label, is paying various contractors to prepare 25 songs that it plans to upload to the store—all of them by acts among the label’s most commercially successful.

Those include the Shins, whose 2007 album “Wincing the Night Away” reached No. 2 on the Billboard 200 album-sales chart; comedy-music duo Flight of the Conchords; and indie-rock stalwarts like Mudhoney, Sleater-Kinney and the Postal Service.

Sub Pop was the original record label of Nirvana, but much of that band’s catalog is already available for “Rock Band.”

The label is treating the undertaking as a serious creative endeavor. It hired a prominent record producer, Phil Ek, to mix the music before delivering it to the contractors who format it for the game.

“At $3 apiece nobody’s looking to ‘Rock Band’ as a discovery tool,” predicts Tony Kiewel, head of artists-and-repertoire at Sub Pop. “That’s not going to happen,” he says.

From: WSJ.com

Police Seize DJ’s Laptops

Tuesday, December 8th, 2009

San Francisco Bay Guardian Reports:

San Francisco Police Department officers have added a controversial tactic to their aggressive raids on house parties (see “Fun under siege,” 4/22/09): they’re seizing laptop computers from DJs at the events.

While SFPD officials deny the laptop seizures is a new policy, they admit it has been condoned by Police Chief George Gascón, who took over in August and last month told the Guardian’s editorial board he wants to make the SFPD more transparent and accountable to the public (see “New coach, new approach,” 10/14/09).

“The police chief is aware that officers are being proactive in gathering evidence,” Sgt. Lyn Tomioka told the Guardian when asked about a string of laptop seizures by undercover cops over the last 10 months, most of them in cases in which the DJs weren’t even charged with a crime. (read the whole article here)

This is a new world now. In the past officers have confiscated audio equipment as evidence for underground events but now DJ’s need to be extra careful. In the future I have a feeling this could be common practice around the country as a scare tactic to DJ’s. It is important to back-up your laptop before events and I feel that if this does become common practice, and you are playing an underground event, that you need to have a laptop JUST for DJing. Keep anything and everything of personal value off the laptop and be sure that you have a complicated password on it to keep the man from snooping.

What concerns me is that there is always the possibility of a DJ not being aware that an event is fully permitted. DJ’s are hired and I would be hard pressed to believe that they are legally obligated to insure the event has it’s paperwork in line. If you play underground events often and use a laptop it may be a good idea to seek the advice of an attorney on what your legal rights are. If I was put in this situation I would probably demand that I be charged with a crime before allowing the officer to seize my personal property. It would be good to tell the officer that you were hired for the event and are not affiliated with the promoter or venue owner and therefore should not have my personal property taken. It probably won’t work, so be sure to ask the officer for his identification, get his badge number and name and immediately go to the police station to file a complaint. If he refuses call 911 and report that someone claiming to be an officer is refusing to produce identification and you need help. Do anything you can to make the taking of your property difficult but within your legal rights.

A laptop to a DJ is just like a drum set to a drummer. It is the tool of their self expression and as such should be respecting as a freedom of speech. There are some people who are concerned that the RIAA is behind the laptop seizures as part of a larger scale attack on performance rights. I see both sides of the fence on this issue, but I also know that most of our friends who are DJ’s play music given to them BY the artists to play as promotion.

Stay safe out there, have fun playing and keep your head down.

MediaShift: Record Labels Are Losing Power to Fans, Artists

Monday, October 12th, 2009

Jason Feinberg of MediaShift reports: “Record Labels Are Losing Power To Fans, Artists”

Over the past month, I received a significant amount of feedback on my recent MediaShift article, What Will Record Labels Look Like in the Future?. People from all areas of the music industry reached out and shared their feelings on future business models, and strategies for moving forward.

Regardless of their background, practically every person I spoke with agreed on a core set of truths about the future of record labels (and the industry as a whole). The consensus is that:

  • Financially, the current situation most record labels find themselves in is not sustainable, especially for companies whose main source of revenue is selling music as their primary product.
  • Sales of digital music have not come close to replacing the revenue lost from the decline of physical sales. Overcoming this requires a significant shift in label expenditures, and revenue sources.
  • Investors are finding it very difficult to find opportunities that have an acceptable chance of return on investment. This applies to releasing music, as well as ancillary services and products around music.
  • Power is shifting away from labels and back to the artist and management. Labels still provide valuable services, but, for the first time in decades, they are no longer the center of the industry.
  • The ultimate power now rests with the fan. The dollars they spend are being fought for harder than ever before. At the same time, fans are demanding more content than ever before.

Here’s what the experts had to say… ( continue reading at the article source, MediaShift on pbs.org)

Public Enemy’s new LP to be fan-funded

Tuesday, October 6th, 2009

factmagazine.co.uk reports hip-hop legends Public Enemy have announced plans for fans to fund their new album.

Of course, this will be a two-way street: the fans will take a share of the revenue from the record (though the specific figures are yet to be revealed). Fans that contribute money will also get a numbered copy of the album.

The group are working with SellaBand to raise $250,000 in individual donations of $25. Says Chuck D of the whole affair, “SellaBand’s financial engine model goes about restructuring the music business in reverse. It starts with fans first, then the artists create from there. The music business is built on searching for fans and this is a brand new way for acts to coming to create a new album with fans first, already on board.”

Public Enemy are the first established act to take advantage of SellaBand’s business model. As far as details of the album goes, that’s all yet to be announced

source: Fact Magazine