Archive for the ‘Uncategorized’ Category

Apple’s Secret Cloud Strategy And Why Lala Is Critical

Wednesday, January 20th, 2010

Michael Robertson’s (former CEO of MP3.com) take on the Apple/Lala deal

Michael Robertson,

For years there’s been speculation that Apple would supplement their $1/song (now $1.29) iTunes business with a monthly subscription service, but their upcoming plans are quite different and once again are positioning them to lead the digital music industry into a new era. Leveraging their ubiquitous iTunes software Apple plans to upgrade their users almost over night to a cloud music service in an ambitious move to beat Amazon and others to a cloud music service. Record labels are wary to give Apple even greater dominance which is why Apple’s new strategy is designed to sidestep new licenses from the major labels.

Apple’s recent acquisition of digital music startup Lala rekindled speculation of an iTunes subscription service. There’s no shortage of subscription offerings (Napster,  Rhapsody, Spotify, Pandora, etc), but none have attracted the millions of subscribers necessary to make the high royalty structures work. Experts have pondered that Apple’s design expertise and hardware integration could make subscription work. And leveraging Lala’s digital library, licenses from the major labels, and a management team who cycled through several business models including the ten cent web song rental could make it a reality. It’s a logical assumption, but after talking to a wide variety of insider sources it’s clear there is no upcoming Apple subscription service and Apple has far different plans.

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Lala will play a critical role in Apple’s music future, but not for the reasons cited above. Lala’s licenses with major labels are non-transferable, so they’re not usable for any new iTunes service. The 10 cent song rental model never gained traction and does not cover mobile devices thus is of little value to Apple. What is of value is the personal music storage service which was an often overlooked component of Lala’s business. As Apple did with the original iPods, Lala realized that any music solution must include music already possessed by the user. The Lala setup process provides software to store a personal music library online and then play it from any web browser alongside web songs they vend. This technology plus the engineering and management team is the true value of Lala to Apple.

An upcoming major revision of iTunes will copy each user’s catalog to the net making it available from any browser or net connected ipod/touch/tablet. The Lala upload technology will be bundled into a future iTunes upgrade which will automatically be installed for the 100+ million itunes users with a simple ?An upgrade is available¿? notification dialog box. After installation iTunes will push in the background their entire media library to their personal mobile iTunes area. Once loaded, users will be able to navigate and play their music, videos and playlists from their personal URL using a browser based iTunes experience.

Apple will link the tens of millions of previously sold iPods, Touches, AppleTV and iTablets to mobile iTunes giving users seamless playback of their media from a wide range of Apple branded devices. Since media will be supplied from the user’s personal collection, Apple is freed from the hassles of device and region limitations. iTunes shoppers will be able to continue to buy music and movies as they can now with purchases still being downloaded, but once downloaded they will be automatically loaded to their mobile iTunes area for anywhere access. Again because users are in possession of the materials no new licenses are required from the record labels or publishers.

Some are curious why Apple with thousands of engineers would need Lala talent and technology. For sure Apple could copy Lala technology, but time is of the essence and Lala lets Apple move faster in transitioning from their PC software business to a cloud service. They get a knowledgeable digital music engineering team, plus a code base to build upon which already does uploading and web playback. There’s precedence for this strategy. The iTunes software did not originate within in Apple but came via an acquisition. Finally, Apple gets the quick witted, brilliant, but occasionally loony Lala CEO  Bill Nguyen who will play a future role in Apple. (Although one wonders how Jobs and lime light relishing Nguyen can co-exist.)

It’s critically important that technology companies build and maintain a core strength. This cornerstone allows them to command a significant portion of the profit stream and is a beachhead to launch other initiatives. Think Amazon/e-commerce, Microsoft/OS, Google/search, Apple/media. Jobs is keenly aware of the digital transition from PC to cloud centric programs and services. It’s imperative Apple lead in this transition or risk ceding leadership in media to others such as Amazon, Real,Microsoft, Yahoo, etc. Lala will help Apple protect their media franchise from encroachment by accelerating their cloud efforts. iTunes users can expect mobile iTunes in 2010.

From: The Washington Post

Potential Revenue Streams

Wednesday, January 20th, 2010
  1. Publishing
    1. Mechanical royalties
    2. Performance Royalties from ASCAP and BMI
    3. Digital Performance Royalties from Sound Exchange
    4. Synch rights TV, Commercials, Movies, Video Games
  2. Digital sales – Individual or by combination
    1. Music (studio & live) Album – Physical & Digital, Single – Digital, Ringtone, Ringback, Podcasts
    2. Instant Post Gig Live Recording via download, mobile streaming or flash drives
    3. Video – Live, concept, personal,  – Physical & Digital
    4. Video and Internet Games featuring or about the artist
    5. Photographs
    6. Graphics and art work, screen savers, wall paper
    7. Lyrics
    8. Sheet music
    9. Compilations
  3. Merchandise – Clothes, USB packs, Posters, other things
  4. Live Performances
    1. Live Show – Gig
    2. Live Show – After Party
    3. Meet and Greet
    4. Personal Appearance
    5. Studio Session Work
  5. Sponsorships, and endorsements
  6. Advertising
    1. Band newsletter emails
    2. Blog/Website
    3. Videos
    4. Music Player
  7. Fan Clubs
  8. Selling fan created products like videos and mashups
  9. YouTube Subscription channel for more popular artists
  10. Artist programmed internet radio station.  A mid level or up artist with a base could program the music he is into including his own. Fans could pay for shout outs and sponsors could pay for blocks of time or ads to support it.  It could also be a subscription podcast that people could pay a couple of bucks a month for.
  11. Financial Contributions of Support – Tip Jar or direct donations
  12. Patronage Model – Artist Fan Exclusives – e.g. paying to sing on a song in studio or have artist write one for you
  13. Mobile Apps
  14. Artist Specific Revenue Stream -  unique streams customized to the specific artist, e.g Amanda Palmer
  15. Music Teaching – Lessons and Workshops
  16. Music Employment – orchestras, etc, choir directors, ministers of music, etc.
  17. Music Production – Studio and Live
  18. Any job available to survive and keep making music
  19. Getting Help From Other Artists and Helping Them- Whatever goes around come around.

Let me know if you think I have missed anything important.  Put your suggestions in the comment section and anything relevant and sensible will be added.  I’d like to compile as complete a list as possible with your help and approval.  Artists need to get paid quickly and as much as possible.  I thought a list like this was as good a place as any to start.

From: MusicBizGuy