Posts Tagged ‘Digital Distribution’

Spotlight: Symphonic Distribution

Friday, March 5th, 2010

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Back in August of last year, we introduced our new partner, Symphonic Distribution.  Through them we can offer our clients digital distribution and other great services they have in their realm.  Here is a little bit about the prospering company…

Symphonic Distribution is a digital content distributor and services provider aimed at providing the best in content delivery, customer service, marketing, education, distribution, licensing and more for music industry artists, managers, and record labels across the globe. Symphonic Distribution is ran by experienced music producers, label owners, and artists thriving in providing the highest level of service. Their mission is to provide you with the best services to improve brand performance. In addition to their comprehensive service list, they provide individual brands to better help a record label or artist grow. Symphonic is also accredited by the Better Business Bureau to further satisfy their clients and partners.  Below are some new highlights Symphonic has introduced recently that show just how much they have to offer.

SymSTREAM is the brand new iPhone / iPod Touch application created by Symphonic Distribution.  Being one of the only distributors in the world to have an iPhone / iPod Touch application, Symphonic Distribution has further diversified itself with new and evolving technologies aimed.  The tool also will serve as a new marketing initiative for artists and record labels distributed by Symphonic Distribution.  SymSTREAM allows you to preview some of the great music we receive each and every week!  If you are at the gym or simply want to listen to new, creative, and innovative music, download SymSTREAM for FREE at the APP Store today. More details in their BLOG

Rolling out in the first part of 2010, Symphonic is updating their client area with a new royalties portal. A second phase of the portal is coming soon that will add detailed stats and sales figures. This will give you a lot of insight on what is selling and what you need to market more in that quarter. This new content portal will bring a new level of self service and convenience to getting your tracks out to digital stores. You will be able to deliver releases to them and have full control as if YOU are the distributor!  This will also allow you more control at any time of your releases, eliminate errors, expedite release delivery, and just simplify the process in general. These updates will really make Symphonic your go-to site for digital distribution.

Being all about customer service, it should be obvious that they care about their clients. They strive to make every step you need to take as simple as possible, include free marketing plans and education with many different resources to make you shine! For example, they can distribute releases to promo pools worldwide, have many internal labels available to release your unsigned material and even have an Artist Connect- where they send unaffiliated artist’s demos to 600+ labels across the globe for potential licensing.

It’s a worthwhile trip to their website, so don’t hesitate to see what you can get into. Sign up for their newsletter to be in the know of their success and see how you can connect with other artists, labels or engineers. Check out their blog to see the Release, Label and Artist of the week.

http://symphonicdistribution.com/
http://symintranet.com/blog/
WWW.MYSPACE.COM/SYMPHONICDISTRIBUTION
WWW.TWITTER.COM/SYMPHONICDIST
WWW.FACEBOOK.COM/SYMPHONICDISTRIBUTION

Extended Service Package

Tuesday, November 10th, 2009

The Extended Service Package (E.S.P.) offers our clients who order replicated discs the option to take that release to the digital retail world. E.S.P. allows you to combine our high quality disc manufacturing with Symphonic Distributions world-class digital distribution. Also included is a UPC barcode and ISRC codes for your release. We will also submit your release to popular databases like Gracenote and All Music so that your CD’s information will show up in player like iTunes when put into a computer. Finally we will also submit your release information to Soundscan so that your sales data is recorded.

Details

Digital Distribution: 100% royalty distribution of up to 15 songs through our partner Symphonic distribution. Your release will be in digital download stores such as iTunes, Amazon Mp3, E Music and more. No setup fees, no hosting fees, you keep 100% of your royalties.

Encoding and Prep: We will prepare your audio for submission and work with you to complete all the important Metadata involved.

UPC: We will issue you a UPC barcode to include on your packaging and will be used for digital release.

ISRC Codes: If your label does not provide you with ISRC Codes we will create them for you prior to production so they are included on your CD and downloads.

Gracenote: Your disc will be entered into the Gracenote (formally the CDDB) database for enhanced album information when your disc is put into a computer or played on a Gracenote enhanced media player. All of your song titles, artist name, album name, etc will populate so you do not have to worry about iTunes showing your songs as Track 1, Track 2, Track 3.

All Music: Once your CD is manufactured, we will send a copy with the required information to the All Music database (www.allmusic.com). This is a great way to give you and your release more coverage on the Internet. Many people use All Music as a source to get information on an artist and their releases. You can also send us a copy of your press kit for All Music to review and use to create your page. (This service requires the use of one of your CD’s to submit to All Music, it will not be returned.)

Soundscan: A very important part of physical CD sales is reporting to Nielsen Soundscan. This service will record and track your sales. Many major labels, marketing groups, and music charting companies use this information on a daily basis. You can contact Nielsen to purchase a report of your disc sales to use as part of your marketing.

Placing a replication order is as easy as contacting a rep at info@eternitemedia.com. Be sure to tell them you would like to add the Extended services package to your order.

CD’s As A Promotional Tool

Thursday, November 5th, 2009

We get asked all the time, are people still using CD’s? Isn’t everyone just downloading? Well, yes and no. As a promotional tool, CDs still provide an important role of physically placing music into a listener’s hand. As a sales tool, the added value of a tangible object can help produce better sales numbers for bands that have a loyal fan base who want more then a simple download. The digital download phenomenon has changed the way we all access music, but some things get lost in translation. I am a big fan of digital downloads, just like everyone else, but feel it is a tool not the whole toolbox.

In the difficult world of marketing your music in today’s saturated market you have to do more then just stick your thumb out and hope to get picked up. When it comes to offering free downloads or access to streams of your music, the instant gratification factor is large and may spark some interest in the short term, but once you navigate away from that site, or that download gets filed away in the massive music library you can be quickly forgot about. With a physical disc, it has a better chance of reminding the person about you for an extended time. When a disc looks great people are more apt to keep it around. Personally, when I buy a CD or someone gives one to me, I stick it in the player in my car and I may listen to it 5 or 6 times. When I download an album (especially one that was a giveaway) I will listen to it once or twice but not nearly as much as one that goes into my car. It takes a very long time for a technology to go extinct so CD’s are here to stay for a long time; heck, some cars still have a cassette player!

When promoting yourself with a CD you are putting a musical flyer of sorts into the hands of the person you gave it to. By simply handing that person a CD you are able to give them all of your vital information regarding yourself and your music before they even listen to it! If your CD looks good and is well thought out you have a great chance that the person you just handed that disc to will actually take the time to listen to it. People like free stuff, and when you hand someone a promo CD that looks great, they want it- even if it is a genre of music they typically don’t listen to. You can put together an inexpensive, good looking promotional disc with a sampling of your music to give away in front of clubs, at the mall or at your shows that will get people to put your CD into their car on the way home. If they like what they hear they are apt to check out the info on the disc and go download more tracks or buy your actual album.

When it comes to marketing your music to Billboard reporters, tastemakers, Internet and traditional radio stations, it is safe to say they get a lot of CD’s. It is also pretty safe to say that they get even more emails and downloads. If you have the means to get a physical CD to them rather then just another spam email in their inbox, you are showing them that you have the desire to spend a little to present them with your work. Don’t fall prey to people who offer to “email blast” the world your music for a fee. Bought lists and spamming is just going to annoy listeners. A lot of the email address’ that send the blasts may have even been blocked. Presenting someone with a gift of your music is much sweeter when they can touch it and they know you personally sent it to them. Of course it doesn’t hurt to contact them and ask if they will give it a listen. If they won’t, it is a waste of your time to send it anyways. When it comes to someone reviewing your music, being able to look at your information while they listen is always a big advantage. Don’t forget about a cover letter with your bio and credits that will also set you apart from the masses.

Here are a couple of good ideas for CD promos:

Keeping it simple

Sometimes less is more. Nothing beats your standard black thermal print with a white paper sleeve. The cost savings means you can get a little more for your money and that means more ears will listen to it. It would be a good idea to drop a business card inside the sleeve with your contact info on it (if you haven’t read our blog on business cards as flyers check it <here>)

Take it a step up

Opt for a clear poly sleeve and a printed insert and you’ve got yourself a rocking promo CD with a lot of real estate to sell your sound. You are keeping your costs down by using an inexpensive poly sleeve but upping the value of the promo with the insert.

Go all out

If you plan on pulling out all the stops and going for a more complete release look such as a jewel case, digipak, or jacket, make sure that your promo is not going to outshine the albums you are putting out. When you want to go all out, get creative! Have the disc be a short sampling of your music, but the have the packaging list the entire album info and instructions on where to download or buy the rest of the album to complete the package.

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All in all, giving out a physical CD as a promo has some great advantages and is a valuable tool for anyone serious about promoting themselves. Even if your budget is tight, having a small quantity to give out to the people that matter will do you a world of good, but make sure they look professional. If you hand someone a CD with your name and number scribbled on it and another person hands them a full color disc in nice packaging, your disc is heading to the trash. Grab their attention, make it loud and be proud of your creation.

Coming up:
Diving into the retail CD world

MediaShift: Record Labels Are Losing Power to Fans, Artists

Monday, October 12th, 2009

Jason Feinberg of MediaShift reports: “Record Labels Are Losing Power To Fans, Artists”

Over the past month, I received a significant amount of feedback on my recent MediaShift article, What Will Record Labels Look Like in the Future?. People from all areas of the music industry reached out and shared their feelings on future business models, and strategies for moving forward.

Regardless of their background, practically every person I spoke with agreed on a core set of truths about the future of record labels (and the industry as a whole). The consensus is that:

  • Financially, the current situation most record labels find themselves in is not sustainable, especially for companies whose main source of revenue is selling music as their primary product.
  • Sales of digital music have not come close to replacing the revenue lost from the decline of physical sales. Overcoming this requires a significant shift in label expenditures, and revenue sources.
  • Investors are finding it very difficult to find opportunities that have an acceptable chance of return on investment. This applies to releasing music, as well as ancillary services and products around music.
  • Power is shifting away from labels and back to the artist and management. Labels still provide valuable services, but, for the first time in decades, they are no longer the center of the industry.
  • The ultimate power now rests with the fan. The dollars they spend are being fought for harder than ever before. At the same time, fans are demanding more content than ever before.

Here’s what the experts had to say… ( continue reading at the article source, MediaShift on pbs.org)

Spotlight: Wave Array

Thursday, September 10th, 2009

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WAVE ARRAY is a San Francisco Bay Area born four-piece indie rock band who formed in 2006. Their sound resonates frequencies of human emotion and thought buried beneath the preoccupation of everyday life using vibrant guitar

and bass work, driving rhythms, and palpable melodies. Wave Array’s eclectic compositions of melodic vamps and hard hitting jams stretch the limits of rock into the psychedelic/experimental realm and have already sparked the interest along the West Coast, the online music community, and national radio.

Press

“There’s a deep fluidity in the songs of Wave Array

that makes the group not just another drop in the

ocean of psychedelic garage-rock bands.”

- Delfín Vigil of San Francisco Chronicle

“Dream Sequence” Track of the Day on Garageband.com

“Dayz” Top 100 song on Ourstage.com [Alternative Rock Channel]

“Dream Sequence” 13th out of 487 overall in Ourstage’s Noisepop Competition

“Dream Sequence” XMU’s Radar Report, XM Satellite Radio


Members:
Strom Lee | Guitar, Vocals
Nich Pak | Guitar
Johan Alfsen | Bass
Will Halsey | Drums, Vocals


Their new album “Cheapjack Moon” is out now as a Digipak and will soon be available on iTunes and other digital retailers.

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For more information on WaveArray, visit them on the Web at: http://www.wavearraymusic.com/ or http://www.myspace.com/wavearray