Posts Tagged ‘music’

Now your band can be in “Rock Band”

Wednesday, January 20th, 2010

rock-band

MTV Games is hoping to goose sales of its flagging “Rock Band” series with a new service Tuesday that lets average users upload and sell videogame versions of their own music.

The service, known as the Rock Band Network Store, may offer a few minutes of fame to rudimentary garage bands by allowing millions of game players to access their music.

But given the technical know-how needed to format a song for the game—which may require users to hire a pricey third-party developer—the service could wind up serving mostly as a promotional platform for established acts with deeper pockets, rather than the typical shower singer.

“Rock Band” and its rival, “Guitar Hero,” are two of the most successful videogame franchises to debut in recent years. But sales of both titles have slowed significantly in the past year, with combined sales in 2009 of $224 million, according to an estimate from Wedbush Morgan Securities—less than 50% their level in 2008.

Until now, most of the music available for play on either game has consisted of a limited number of songs, mostly by major acts like Nirvana, the Red Hot Chili Peppers and the Beatles.

With the new service, unknown bands are seeing their chance to get in on the act. But popular groups not quite big enough to make the “Rock Band” playlist are also preparing material for the do-it-yourself upload store, including Creed and Evanescence, each of which has sold tens of millions of albums in the past decade.

“We expected this to be an initiative that would appeal to unsigned artists,” says Paul DeGooyer, MTV’s senior vice president for electronic games and music. “What was surprising to us was how many artists with hit records have offered themselves up.”

The Rock Band network has been running in a private, invitation-only testing mode since September. For now, it is to be available only to users of the Xbox 360, made by MicrosoftCorp., which was also MTV Games’ partner in building the Rock Band Network. MTV is part ofViacom Inc. The network eventually is to be made accessible to users of other game systems, like Sony Corp.’s PlayStation 3.

Preparing a song is complicated, and involves preparing an array of specialized digital sound files, lyrics, transcriptions and even instructions for virtual camera angles, lighting and choreography for the animated characters that perform the music within the game itself.

It has already spawned a cottage industry of companies offering to format recordings, for fees that can get steep. These contractors, with names like Rhythm Authors LLC and RockGamer Studios, typically charge $500 per minute of music.

Other costs involved in creating a song include the purchase of an Xbox 360 console, “Rock Band” game discs and instruments, as well as a subscription to an online Microsoft game-development “community” that costs about $99 a year.

Rock Band Network lets users set prices anywhere from 99 cents to $2.99 a song. The company retains 70% of the sale price, with the rest going to the user. Given the figures, musicians must be fairly confident they’ll sell real numbers of songs to justify their investment.

Sub Pop, a prominent independent record label, is paying various contractors to prepare 25 songs that it plans to upload to the store—all of them by acts among the label’s most commercially successful.

Those include the Shins, whose 2007 album “Wincing the Night Away” reached No. 2 on the Billboard 200 album-sales chart; comedy-music duo Flight of the Conchords; and indie-rock stalwarts like Mudhoney, Sleater-Kinney and the Postal Service.

Sub Pop was the original record label of Nirvana, but much of that band’s catalog is already available for “Rock Band.”

The label is treating the undertaking as a serious creative endeavor. It hired a prominent record producer, Phil Ek, to mix the music before delivering it to the contractors who format it for the game.

“At $3 apiece nobody’s looking to ‘Rock Band’ as a discovery tool,” predicts Tony Kiewel, head of artists-and-repertoire at Sub Pop. “That’s not going to happen,” he says.

From: WSJ.com

Be Prepared For South By Southwest and Winter Music Conference

Monday, January 18th, 2010

It’s 2010 and time to start thinking about the annual festivals that will benefit YOU. All around us we hear that this is the year to make a big push and get heard- we want to help with that. As a Musician, Label or Entertainment/Media business, it’s pretty important to attend at least one music festival a year. SXSW and WMC are two of the big starters that are coming up fast. We’re hoping to enlighten you on how important it is to prepare, not just show up. There are so many ways to conquer a festival- high rollin’ networker, party animal, on the cheap or go with the flow. Whatever reason you’re going, there’s a way to be prepared and Eternite Media would like to be your go-to source for exploring your options and fulfilling the promotional decisions you make.
It is important to get your marketing and promotional plan started early.  When you work with us, you will be covered in every area that you need, and even more than you thought. Eternite Media offers design and printing solutions for simple business cards, intricate flyers, logos or branding for your entire realm of products. We are able to replicate or duplicate your CD and DVD with basic black print or full color thermal. Paper printing options like digi-paks, one page inserts or full booklets can work in a package with a jewel case or even a clear poly sleeve. Merchandise is also a classic advertisement for your brand’s success, including T-shirts, buttons or stickers- all of which are a constant reminder of you to all your fans. We can put together whatever you need- any propaganda materials big or small and can even ship it directly to your accommodations.
CD Duplication Promo Packages
Opener (basic package)
- Silver Duplicated CDR
- Black Thermal Text Print On Disc
- White Paper Sleeve
100: $81.00 (Normally $108.00)
250: $202.50 (Normally $270.00)
500: $345.00 (Normally $460.00)
Resident (mid package)
- White Duplicated CDR
- Full Color Thermal Print On Disc
- 1 Panel 4/4 (Full Color) Paper Insert
- Clear Poly Sleeve
100: $156.60 (Normally $174.00)
250: $380.25 (Normally $422.50)
500: $621.00 (Normally $690.00)
Headliner (premium package)
- Replicated (manufactured) CD
- Full Color Offset Print On Disc
- Full Color 5″ Jacket
- Wafer Seal
500: $589.00 (Normally $660.00)
1000: $746.00 (Normally $840.00)
2500: $1617.50 (Normally $1825.00)
(DVD packages available upon request)
BONUS WMC/SXSW Specials:
25% off select Printing services
Promote your shows, get the word out about your new release, or just build your fan base! Take advantage of high quality printing services for business cards, flyers, stickers, 2″ buttons and banners.
40% off all Merchandise
Make a statement and toss out t-shirts during your shows or help pay for your trip by selling screen printed merch. Either way your fans will do the advertising for you to build your name recognition and it’s a great way to increase your profit margin. Screen printed shirts, hoodies, hats and more. We offer apparel from American Apparel, Hanes, Gildan, and other top brands.
((AA, hanes and Gildan logo))
We are super excited about all the cool stuff you will be ready to hit your fans with this year! Don’t waste any time and drop us a line at info@eternitemedia.com to order.
Stay connected on our Twitter, Facebook and MySpace for resources, blogs, and suggestions on making the most out of your festival experience at SXSW or WMC.

It’s 2010 and time to start thinking about the annual festivals that will benefit YOU. All around us we hear that this is the year to make a big push and get heard- we want to help with that. As a Musician, Label or Entertainment/Media business, it’s pretty important to attend at least one music festival a year. SXSW and WMC are two of the big starters that are coming up fast. We’re hoping to enlighten you on how important it is to prepare, not just show up. There are so many ways to conquer a festival- high rollin’ networker, party animal, on the cheap or go with the flow. Whatever reason you’re going, there’s a way to be prepared and Eternite Media would like to be your go-to source for exploring your options and fulfilling the promotional decisions you make.

It is important to get your marketing and promotional plan started early.  When you work with us, you will be covered in every area that you need, and even more than you thought. Eternite Media offers design and printing solutions for simple business cards, intricate flyers, logos or branding for your entire realm of products. We are able to replicate or duplicate your CD and DVD with basic black print or full color thermal. Paper printing options like digi-paks, one page inserts or full booklets can work in a package with a jewel case or even a clear poly sleeve. Merchandise is also a classic advertisement for your brand’s success, including T-shirts, buttons or stickers- all of which are a constant reminder of you to all your fans. We can put together whatever you need- any propaganda materials big or small and can even ship it directly to your accommodations.

CD Duplication Promo Packages

Opener
(basic package)

- Silver Duplicated CDR

- Black Thermal Text Print On Disc

- White Paper Sleeve

100: $81.00 (Normally $108.00)

250: $202.50 (Normally $270.00)

500: $345.00 (Normally $460.00)

Resident
(mid package)

- White Duplicated CDR

- Full Color Thermal Print On Disc

- 1 Panel 4/4 (Full Color) Paper Insert

- Clear Poly Sleeve

100: $156.60 (Normally $174.00)

250: $380.25 (Normally $422.50)

500: $621.00 (Normally $690.00)

Headliner
(premium package)

- Replicated (manufactured) CD

- Full Color Offset Print On Disc

- Full Color 5″ Jacket

- Wafer Seal

500: $589.00 (Normally $660.00)

1000: $746.00 (Normally $840.00)

2500: $1617.50 (Normally $1825.00)

(DVD packages available upon request)

BONUS WMC/SXSW Specials:

25% off select Printing services
Promote your shows, get the word out about your new release, or just build your fan base! Take advantage of high quality printing services for business cards, flyers, stickers, 2″ buttons and banners.

40% off all Merchandise
Make a statement and toss out t-shirts during your shows or help pay for your trip by selling screen printed merch. Either way your fans will do the advertising for you to build your name recognition and it’s a great way to increase your profit margin. Screen printed shirts, hoodies, hats and more. We offer apparel from American Apparel, Hanes, Gildan, and other top brands.

American_Apparel-logoHanesLogologo_gildan

We are super excited about all the cool stuff you will be ready to hit your fans with this year! Don’t waste any time and drop us a line at info@eternitemedia.com or 323-284-4733 to order.

Stay connected on our Twitter, Facebook and MySpace for resources, blogs, and suggestions on making the most out of your festival experience at SXSW or WMC.

Police Seize DJ’s Laptops

Tuesday, December 8th, 2009

San Francisco Bay Guardian Reports:

San Francisco Police Department officers have added a controversial tactic to their aggressive raids on house parties (see “Fun under siege,” 4/22/09): they’re seizing laptop computers from DJs at the events.

While SFPD officials deny the laptop seizures is a new policy, they admit it has been condoned by Police Chief George Gascón, who took over in August and last month told the Guardian’s editorial board he wants to make the SFPD more transparent and accountable to the public (see “New coach, new approach,” 10/14/09).

“The police chief is aware that officers are being proactive in gathering evidence,” Sgt. Lyn Tomioka told the Guardian when asked about a string of laptop seizures by undercover cops over the last 10 months, most of them in cases in which the DJs weren’t even charged with a crime. (read the whole article here)

This is a new world now. In the past officers have confiscated audio equipment as evidence for underground events but now DJ’s need to be extra careful. In the future I have a feeling this could be common practice around the country as a scare tactic to DJ’s. It is important to back-up your laptop before events and I feel that if this does become common practice, and you are playing an underground event, that you need to have a laptop JUST for DJing. Keep anything and everything of personal value off the laptop and be sure that you have a complicated password on it to keep the man from snooping.

What concerns me is that there is always the possibility of a DJ not being aware that an event is fully permitted. DJ’s are hired and I would be hard pressed to believe that they are legally obligated to insure the event has it’s paperwork in line. If you play underground events often and use a laptop it may be a good idea to seek the advice of an attorney on what your legal rights are. If I was put in this situation I would probably demand that I be charged with a crime before allowing the officer to seize my personal property. It would be good to tell the officer that you were hired for the event and are not affiliated with the promoter or venue owner and therefore should not have my personal property taken. It probably won’t work, so be sure to ask the officer for his identification, get his badge number and name and immediately go to the police station to file a complaint. If he refuses call 911 and report that someone claiming to be an officer is refusing to produce identification and you need help. Do anything you can to make the taking of your property difficult but within your legal rights.

A laptop to a DJ is just like a drum set to a drummer. It is the tool of their self expression and as such should be respecting as a freedom of speech. There are some people who are concerned that the RIAA is behind the laptop seizures as part of a larger scale attack on performance rights. I see both sides of the fence on this issue, but I also know that most of our friends who are DJ’s play music given to them BY the artists to play as promotion.

Stay safe out there, have fun playing and keep your head down.

CD’s As A Promotional Tool

Thursday, November 5th, 2009

We get asked all the time, are people still using CD’s? Isn’t everyone just downloading? Well, yes and no. As a promotional tool, CDs still provide an important role of physically placing music into a listener’s hand. As a sales tool, the added value of a tangible object can help produce better sales numbers for bands that have a loyal fan base who want more then a simple download. The digital download phenomenon has changed the way we all access music, but some things get lost in translation. I am a big fan of digital downloads, just like everyone else, but feel it is a tool not the whole toolbox.

In the difficult world of marketing your music in today’s saturated market you have to do more then just stick your thumb out and hope to get picked up. When it comes to offering free downloads or access to streams of your music, the instant gratification factor is large and may spark some interest in the short term, but once you navigate away from that site, or that download gets filed away in the massive music library you can be quickly forgot about. With a physical disc, it has a better chance of reminding the person about you for an extended time. When a disc looks great people are more apt to keep it around. Personally, when I buy a CD or someone gives one to me, I stick it in the player in my car and I may listen to it 5 or 6 times. When I download an album (especially one that was a giveaway) I will listen to it once or twice but not nearly as much as one that goes into my car. It takes a very long time for a technology to go extinct so CD’s are here to stay for a long time; heck, some cars still have a cassette player!

When promoting yourself with a CD you are putting a musical flyer of sorts into the hands of the person you gave it to. By simply handing that person a CD you are able to give them all of your vital information regarding yourself and your music before they even listen to it! If your CD looks good and is well thought out you have a great chance that the person you just handed that disc to will actually take the time to listen to it. People like free stuff, and when you hand someone a promo CD that looks great, they want it- even if it is a genre of music they typically don’t listen to. You can put together an inexpensive, good looking promotional disc with a sampling of your music to give away in front of clubs, at the mall or at your shows that will get people to put your CD into their car on the way home. If they like what they hear they are apt to check out the info on the disc and go download more tracks or buy your actual album.

When it comes to marketing your music to Billboard reporters, tastemakers, Internet and traditional radio stations, it is safe to say they get a lot of CD’s. It is also pretty safe to say that they get even more emails and downloads. If you have the means to get a physical CD to them rather then just another spam email in their inbox, you are showing them that you have the desire to spend a little to present them with your work. Don’t fall prey to people who offer to “email blast” the world your music for a fee. Bought lists and spamming is just going to annoy listeners. A lot of the email address’ that send the blasts may have even been blocked. Presenting someone with a gift of your music is much sweeter when they can touch it and they know you personally sent it to them. Of course it doesn’t hurt to contact them and ask if they will give it a listen. If they won’t, it is a waste of your time to send it anyways. When it comes to someone reviewing your music, being able to look at your information while they listen is always a big advantage. Don’t forget about a cover letter with your bio and credits that will also set you apart from the masses.

Here are a couple of good ideas for CD promos:

Keeping it simple

Sometimes less is more. Nothing beats your standard black thermal print with a white paper sleeve. The cost savings means you can get a little more for your money and that means more ears will listen to it. It would be a good idea to drop a business card inside the sleeve with your contact info on it (if you haven’t read our blog on business cards as flyers check it <here>)

Take it a step up

Opt for a clear poly sleeve and a printed insert and you’ve got yourself a rocking promo CD with a lot of real estate to sell your sound. You are keeping your costs down by using an inexpensive poly sleeve but upping the value of the promo with the insert.

Go all out

If you plan on pulling out all the stops and going for a more complete release look such as a jewel case, digipak, or jacket, make sure that your promo is not going to outshine the albums you are putting out. When you want to go all out, get creative! Have the disc be a short sampling of your music, but the have the packaging list the entire album info and instructions on where to download or buy the rest of the album to complete the package.

~

All in all, giving out a physical CD as a promo has some great advantages and is a valuable tool for anyone serious about promoting themselves. Even if your budget is tight, having a small quantity to give out to the people that matter will do you a world of good, but make sure they look professional. If you hand someone a CD with your name and number scribbled on it and another person hands them a full color disc in nice packaging, your disc is heading to the trash. Grab their attention, make it loud and be proud of your creation.

Coming up:
Diving into the retail CD world

MediaShift: Record Labels Are Losing Power to Fans, Artists

Monday, October 12th, 2009

Jason Feinberg of MediaShift reports: “Record Labels Are Losing Power To Fans, Artists”

Over the past month, I received a significant amount of feedback on my recent MediaShift article, What Will Record Labels Look Like in the Future?. People from all areas of the music industry reached out and shared their feelings on future business models, and strategies for moving forward.

Regardless of their background, practically every person I spoke with agreed on a core set of truths about the future of record labels (and the industry as a whole). The consensus is that:

  • Financially, the current situation most record labels find themselves in is not sustainable, especially for companies whose main source of revenue is selling music as their primary product.
  • Sales of digital music have not come close to replacing the revenue lost from the decline of physical sales. Overcoming this requires a significant shift in label expenditures, and revenue sources.
  • Investors are finding it very difficult to find opportunities that have an acceptable chance of return on investment. This applies to releasing music, as well as ancillary services and products around music.
  • Power is shifting away from labels and back to the artist and management. Labels still provide valuable services, but, for the first time in decades, they are no longer the center of the industry.
  • The ultimate power now rests with the fan. The dollars they spend are being fought for harder than ever before. At the same time, fans are demanding more content than ever before.

Here’s what the experts had to say… ( continue reading at the article source, MediaShift on pbs.org)